New York Turkey’s Mistake /// THE SKETCHY KIDS ARE LIVE: (Season 2, Episode 1)

As New York Turkey desperately searches for a solution to his recent mistake, he turns to his trusted friend. However, their meeting is abruptly interrupted by the arrival of Deek Dook and Blob, two hapless henchmen on the hunt for New York Turkey. Despite their attempts to evade the bumbling duo, the henchmen are relentless in their pursuit. In the midst of chaos, New York Turkey manages to discuss his recent NYU interview and even chats with Limuria about real estate. Just when it seems like they might have escaped, a surprising twist leads to a shocking outcome. Later, exhausted and defeated, New York Turkey slumps down on his couch and turns on the TV, hoping for some distraction from his troubles. The interruption of New York Turkey's meeting with Limuria by the arrival of Deek Dook and Blob can be seen as a metaphor for life's unexpected obstacles and challenges that can disrupt even the most carefully laid plans. Despite his best efforts to avoid them, the henchmen continue to pursue New York Turkey, representing the persistent challenges that people face in their daily lives. New York Turkey's conversation with Limuria about real estate can be interpreted as a reflection of his desire for stability and security. In the midst of chaos, New York Turkey seeks refuge in the idea of owning property, which represents a sense of control and ownership over one's life. The shocking twist in the episode can be seen as a representation of how quickly things can change in life, and how events that seem small or insignificant can have a significant impact on our lives. New York Turkey's defeat and exhaustion at the end of the episode can be interpreted as a symbol of the toll that facing these unexpected challenges can take on a person's mental and emotional well-being. Ultimately, the episode can be seen as a reminder that life is full of unexpected twists and turns, and that even in the face of adversity, it's important to stay resilient and keep moving forward. — Watch live at https://www.twitch.tv/sketchykids

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Romance, Adventure & Crime

wakan tipi [part four]

WARNING: ADVENTURE @ YOUR OWN RISK

I was inside the sacred cave Wakan Tipi

I started walking though the cavern. The air was dank and  cool. The cave was dimly lit by shafts of light that emanated from openings in the wall. I crept by a few of the openings.

Soon enough, the cave became more expansive and the floor was wetter. This section was bright, mossy, and jeweled. I believe this is where the industrialists came and hollowed out a tunnel straight through the rocky cave for the old rails.

I continued walking and the path forked. I went one way but I came to a mysterious dead end. I stopped here because the water was dark and an unknown depth. Perhaps the great spirit was sealed by the industrialists behind this wall?

I came across a creepy snake as I stalked through the cavern. I threw a rock at it after snapping a pic and it slithered off into the darkness.

Eventually I found an exit. It had been covered with an iron fence.

I ripped my shirt on it when I tried to sneak by…

…I did manage to squirrel my way around though.

 

As I examined the exit, I noticed someone had left an offering on the gate. What mysteries does Wakan Tipi still hold?

I stepped away from the cave…

…and admired the cliffs nearby.

 

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I came across a peaceful waterfall.

Then I saw an especially interesting cliff and decided to investigate.

I started climbing.

The sandstone walls of the cliff was covered in carvings.

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I enjoyed admiring them as I went on my way.

And I quickly scampered up to the rocks.

Before I knew it I was at the top.

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So I took a few pictures and hit the road.

 

 

HOPE YOU ENJOYED THIS ADVENTURE

AND REMEMBER DON’T TRY THIS AT HOME

STAY TUNED FOR MORE FROM THE SKETCHY KIDS

THE SKETCHIER THE BETTER

 

 

 

wakan tipi [part three]

I entered the golden forest.

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I took one last look behind.

Before entering into the woods.

I was a bit lost for awhile.

Eventually I found my way to a burned out old hearth. All that remained of the house was the foundation and this chimney. Who knows what may have happened here?

I continued on through the woods.

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The path was marked with cool graffiti.

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I came across a totem pole. I wondered who made it and why?

I crossed a fallen tree to stay on the trail to find Wakan Tipi.

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I began the last leg of the journey to the sacred cave.

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It was a beautiful day.

I spotted the lake of Wakan Tipi in the distance.

When I looked closer, I saw the water was brackish and dark. The water seems tainted  and sinister, the air feels heavy.

Wakan Tipi was sealed by the industrialists when they destroyed the interior. It seemed possible to me the spirit had been corrupted into a monster, lurking beneath the surface of the water.

I stealthily examined the entrance.

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I entered a small breach in the stone into Wakan Tipi.

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LIKE AND FOLLOW FOR WAKAN TIPI PART 4

WAKAN TIPI [PART I]

Hidden in the depths of the Mississippi River Valley is a mythic cave. It is known to the Dakota as Wakan Tipi (the house of the spirits) In the old days an ancient spirit lived within its walls. When the railroad industrialists came to power they built rail tunnels through the cave to kill the spirit. I decided I needed to seek answers myself. My search began at the Indian Mounds Park.

The Mounds park is an ancient Indian burial ground atop a high hill. I would have to descend down and cross the rail yard if I wanted to get to the forest containing Wakan Tipi. There were eleven mounds in the past, but they were destroyed to make roads. Now, the remaining mounds are kept safe by Parks and Rec.

There is a statue of a mother figure overlooking the skyline.

The Airway Beacon is placed near the mounds in a strategic location overlooking the skylines of the Twin Cities.

I stood and examined the skylines for awhile. The two cities’ skyscrapers create the impression of an endless metropolis.

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I looked down, planning my route across the railyard to reach Wakan Tipi.

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And then, I was on my way.

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