By Clare Flanagan
From age twelve & onward I was warned
about them – notelong departures
from the prevailing key, hanging stealthy
between staff lines, barely heralded
by some arcane mark. Accidentals
stretched my knuckles to gristle
over stiff-sprung valves, derailed
whole melodies, hammered breath from me
til the true sound came into being. It’s been years
since I last read music, but today
on the commuter trail behind the Knollwood
Super Target with its wayward shopping carts
like loose cattle & empty apartments
metastasizing by the highway, those were the kind
of notes tearing through me –
teasing unready fingers
on the left handbrake, a rough reflex
half a beat behind. I’d seen the car
too late, but I was wheeling, coming in
sun-blind and hot, and in a single slow moment
I spiraled forward, a body-nautilus, back wheel rising
over wordless mouth. Curled before the hatchback
that stopped feet short of me, too-long shoelaces tangled
in the stilled pedals, I saw open skin hash-marking
my elbows and knees, road-carved sharps
across a measure of skin –
bloody blue-notes like the ones
I used to pencil in, meaning
don’t make that same mistake
you keep making. Even as I took
the hand of a stranger, who helped lift me back
to the world, the only word I could say
was sorry. But now, my legs being
less pavement-shaken, I want to examine
these bruises, let water sting the gravel
from the wounds. I want an ablution, a blessing
for white knuckles grasping
the wrong brake. I want to hear
the wrong note in the right place, a divine slip
from the key of speed, my still face feet
from the short-stopped vehicle, the voiceless
two-ton warning that all this momentum
is temporary. What I want most now
is to learn the best and most difficult song —
the chord that sets the wheels spinning again,
rate regardless, the one sung in gratitude
for being given one more mile
to fly forward, another day
to fall.